Spanish version
Spanish version
|
Welcome visitor login/register Today is November 28, 2009 | Intuitive search |
Newsletter
Panasonic DMC-L1 7.5MP Digital SLR Camera with Leica 14-50mm Mega O.I.S. LensProduct reference: PANASONIC-DMC-L1-75MP-R57568 |
|||||||||||||||||||||||||||||||||||||||
See more products in the category at Panasonic |
|||||||||||||||||||||||||||||||||||||||
 Description:
|
|||||||||||||||||||||||||||||||||||||||
|
The DMC-L1 series features analog-like controls that feel comfortable and instantly familiar. You can easily adjust settings with the touch of a fingertip, check them with a quick glance, and set the exposure intuitively. Turn the aperture ring with your left hand (which supports the lens) and operate the shutter speed dial with your right hand (holding the camera body). Refined design makes the camera a pleasure to hold and use The DMC-L1 offers a high-grade appearance and high reliability and durability thanks to use of a lightweight, high-rigidity magnesium alloy for the camera body. The body periphery and grip are covered with a textured, simulated leather that helps ensure a secure, slip-free hold. Superb image rendering of Leica D lens with optical image stabilization The Leica D Vario-Elmarit lens, the first interchangeable lens designed specifically for digital cameras to bear the Leica brand name, is a standard zoom lens developed jointly by and combining the optical technologies of Leica Camera AG and Panasonic. A new set of quality standards were created specifically for this lens, to ensure that it would bring out the best performance of the camera it is coupled with. With a focal length range equivalent to 28mm (wide) to 100mm (medium telescopic) on a 35mm film camera, the Leica D lens provides exceptional results with everything from portraits to landscapes. This bright f2.8-3.5 lens allows maximum use of the out-of-focus techniques possible only with an SLR camera. The lens also provides outstanding macro shooting, thanks to a 29mm minimum shooting distance (0.32x maximum magnification, 35mm equivalent) across the entire zoom range. From landscapes to portraits to macro close-ups, the Leica D zoom lens excels in a wide variety of shooting situations. The lens system comprises 16 elements in 12 groups and features two large-diameter glass-molded aspherical lenses. Meeting the Leica D lens lofty quality standards, this lens unit provides a superior optical performance and matches perfectly with the digital SLR camera body. The result is exquisite rendering, with images that offer clarity, depth, and rich expression from corner to corner, even at a fully open aperture. The optical image stabilization system--MEGA O.I.S--provided in the lens unit helps minimize blurring to ensure that photos are sharp even in situations when hand-shake is typically a problem, such as when taking macro close-ups, indoor shots, or night portrait shots. Thanks to the gyrosensors and Venus Engine Plus LSI built into the lens, the system detects camera movement at a rate of 4,000 times per second, so hand-shake compensation is extremely precise. There are two image-stabilization modes. In Mode 1 the hand-shake compensation function remains active at all times, so the image in the LCD and viewfinder is clear, which makes shots easier to compose. In Mode 2 the system activates only when the shutter button is pressed; this provides a more precise compensation performance. Users can select whichever mode they prefer in a specific situation. Full-time Live View allows users to shoot in new ways Panasonic has developed a full-time Live View function that lets users accurately compose photos while viewing the high-resolution 2.5-inch LCD screen. In previous digital SLR cameras, a live image could be seen only through the viewfinder. The new full-time Live View function thus represents a dramatic change in digital SLR photography, giving users new ways to shoot. Full-time Live View provides a 100 percent view field coverage (that is, the same image seen by the image sensor) on the DMC-L1s large, 2.5-inch LCD monitor. Users can compose a shot easily and accurately while viewing the screen. The screen also displays critical information such as a live histogram and white balance, which users can easily check prior to snapping the shot. When a tripod is used, full-time Live View lets users compose the image without bending to peer through the viewfinder. In these ways, users will find that full-time Live View gives them both more shooting flexibility and greater convenience. The Live MOS image sensor must remain ON when full-time Live View is in use. The Live MOS sensor has a full-time image output function that sends a signal directly to the LCD, allowing high-quality display on the LCD screen of the same image seen in the sensor. Note that when the full-time Live View function is active, the internal mirror is in the raised position, which means that there will be no image visible in the optical viewfinder. Users can take advantage of the revolutionary full-time Live View function in both Autofocus and Manual Focus modes. When using Manual Focus, users can select a particular area within the frame and enlarge it up to 10x. Then, viewing the DMC-L1s 2.5-inch 207,000-pixel LCD screen, it is easy to check the focus. It is also possible, by pressing the aperture preview button, to check the depth of field. When the aperture is being adjusted, the DMC-L1 automatically adjusts the brightness of the full-time Live View image on the LCD screen to prevent it from becoming too dark to see. This makes it easier to check the depth of field. 4/3-type 7.5-megapixel, high-resolution, energy-saving Live MOS sensor The Live MOS sensor used in the DMC-L1 provides the beautiful images with delicate gradation and wide dynamic range that only a CCD image sensor can provide. To this it adds the low energy consumption only a CMOS sensor can offer. The use of dedicated processing technology enables operation at a low voltage of 5V, minimizing noise in darker parts of an image. Also, photodiodes embedded deeply in the silicon layer create a structure that suppresses noise generated on the substrate surface. As a result, the white-spot pixel defects and textural roughness that often characterize images captured in dim lighting are minimized, so photos are crisp and clear. Dust-reduction system prevents dust and other particles from degrading images One of the most critical issues with digital SLR cameras with interchangeable lenses is the possibility of dust entering the camera body during lens changes. This dust can adhere to the image sensor and show up as spots on photos taken. Panasonic has solved this problem by equipping the DMC-L1 with a Supersonic Wave Filter system that uses supersonic vibration to shake off any dust clinging to the sensor. This simplifies camera maintenance and eliminates worries about dust entering the camera body when lenses are being changed outdoors, so users can enjoy themselves and just concentrate on shooting. Venus Engine III image processing LSI The Venus Engine III is an image processing LSI developed by Panasonic to maximize the performance of the Leica D lens and Live MOS sensor. This advanced LSI not only helps reproduce images with outstanding resolution, superior color, and detailed gradation, it also distinguishes chromatic noise from luminance noise and selectively reduces the chromatic noise, one of the chief sources of image quality problems. This helps the DMC-L1 deliver the superb image rendering one expects from a quality SLR camera. The Venus Engine III also works swiftly, helping give the DMC-L1 a quick startup time of one second, shorter shutter interval, and improved consecutive shooting performance. Further, the Venus Engine III consumes 20 percent less power than its predecessor, the Venus Engine II. This combines with the Live MOS sensors low energy consumption to give the DMC-L1 longer battery life. Users can take around 450 shots (CIPA standard) on a single battery charge. Film mode In film cameras, the brand of film used affects the color characteristics, gradation, and color saturation of the photos taken. This gives photographers the option of choosing a particular brand of film to attain a particular desired effect. The DMC-L1 provides a similar option by giving the user a total of seven film modes to choose from, including four color settings (Standard, Dynamic, Natural, and Smooth) and three monochrome settings (Standard, Dynamic, and Smooth). Just as photographers can switch film brands to change the imaging characteristics, DMC-L1 users can switch modes to achieve a similar effect. Two-axis white balance adjustment In addition to the conventional white balance setting, the DMC-L1 features a two-axis setting system that allows even finer white balance adjustment. Making adjustments along a horizontal amber-blue axis and a vertical green-magenta axis, users can set the camera for detailed color cast compensation over virtually the entire color space. Extra Optical Zoom When the camera is set to record at less than the maximum number of pixels, users can take advantage of an Extra Optical Zoom function. (Only applicable in using full-time Live View function.) This function alters the 7.5-megapixel Live MOS sensors operating area, to vary the angle of view and increase the maximum zoom ratio. ** Sales package content and specifications may vary and might change without notice Specifications | |||||||||||||||||||||||||||||||||||||||
[ More products at Panasonic ]
Calculate shipping cost
